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Tossed aside by the boy, the one-legged soldier sees a paper cut out figure of a ballerina. She is poised on one leg and he feels an instant bond. He has found another one-legged toy and believes this to be love.
The steadfast tin soldier has a series of mishaps. He falls off the window sill into a stream. From there, he is transported to a rat infested sewer. He is swallowed by a fish and through an unlikely stroke of luck, winds up back in the boy's playroom with the other toys and the ballerina.
The ending is what gets to me every single time. A gust of wind lifts the paper ballerina up and she flutters into the fire place, winding up a charred heap of ashes. Devastated, the tin soldier joins her. The remaining metal that was once the tin soldier is a charred piece of heart shaped metal.
I still think this is a very sad story. The photographs really emphasize the feeling this story evokes.
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As Wullschlager clearly illustrates, Anderson was not a very likeable character. Easily wounded and quick to take offense (even where it was unwarranted), strangely self-assured to the point of embarrassing those around him with his pomposity and silliness (if not himself), he seems to have been almost incapable of giving the same friendship that he demanded of others. Even so, Wullschlager succeeds in making him sympathetic. Rather than try to make excuses for his behavior, she just lays out the facts and presents him as he was. She is particularly effective when she associates events in Anderson's life with the fairy tales and repeating literary themes they inspired.
That Anderson was able to transform his inner demons into timeless, allegorical tales that are both touching and uplifting is remarkable. That he was able to do so after having overcome seemingly insurmountable hurdles in his background and early education marks him for the genius he was-warts and all.
This is a very good biography of an unusual, but brilliant, story-teller.
When you reach the pages describing his death, you feel like you have lost a dear friend. HCA was known for his children's fiction, but in fact, many of his works are for adults. This biography is particularly interesting as it gives some insight into his little known adult works, together with his character, and places his work in the cultural context in Europe in which it found itself.
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If you are looking for beautiful modern children illustration works, this is the book you have to get. Charles Santore brings out the mysterious mood of ocean merfolk, which is something missing from any other little mermaid illustrations I've encountered.
The book is a bit pricy but it is worth every penny. It is a classical novel with the quality of classic art.
For children this volume is a great introduction to Andersen which might lead them to his other stories. However this edition of 'The little mermaid' is a wonderful treasure for all people who are interested in Andersen regardless of their age.
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C. S. Lewis, in his preface to "The Lion, the Witch and the Wardrobe," observed that as children we grow out of hearing fairy tales, but as an adult we can come back to them with fresh eyes and be enchanted in a different way. HCA stories have that amphibian quality of living above and below the supposed age limits.
I find it surprising that HCA writing in a minor language would be so popular, but he is a genius at writing fairy tales. The Grimm Boys just collected and edited the German fairy tales, but HCA was generating new and original fairy tales. I hope we don't sluff off this unique talent he had solely on the ground that he was writing to children. After all, how many naked Emperors have we seen? The comic Dilbert gets it's life blood from the fact that so many emperors can be smooth-talked by so many charlatans, and be sustained in their delusion by smarmy sycophants, and only brought to light by a child.
If children can understand this, why can't we adults?
On the printing-side of the book, I would like to see this in a hardbound, with durable paper, and not the thin and fragile newsprint. I am almost afraid to read this book since the opaper is so delicate!
Evelyn Horan - author
Jeannie, A Texas Frontier Girl, Books One - Three
"We are all going to die. H.C.Andersen knew this, he worked with it and he used it to show us all the beauty of life - the beauty of all life."
His stories are not only for children they are for everyone. The likes of H.C.Andersen can be found nowhere. If you want to discover the full grandeur of his genius you MUST read more than just his popular works. I would even urge you to go to Odense to learn Danish - Much is lost in translation. But although the English translation doesn't reach the heights of the original Danish text I still give it one of my 5 star sets. And don't think that it's a case of petty nationalism - you will find no other Danish writer that I'll grant 5 great ones. It is entertainment, philosphy and religion.
Anderson began writing The Snow Queen on December 5, 1844 and it was published sixteen days later in book form! His fairy tales made him famous and the stories have been translated into more than 100 languages and some have been made into films, like the Little Mermaid.
Nilesh Mistry is one of my favorite illustrators. He was born in Bombay and moved to London, England in 1975. His books include The Illustrated Book of Fairy Tales and Aladdin. I simply want to own every book he illustrates!
In the story of The Snow Queen, you will find illustrations and photography that shows the settings of the original book. This classic is again brought to life, yet never so beautifully as with Nilesh Mistry's art. Kai is whirled away by the icily beautiful Snow Queen. His playmate Gerda sets out to find him and encounters many adventures in his quest. This is a story I remember very well, yet I had to imagine the pictures in my own mind as a child.
In this book, she looks hauntingly similar to how I pictured her as a child. "The driver stood up, in a coat and hat of purest snow. She was a woman, tall and glittering. She was the Snow Queen."
The story begins with a story about the Devil who laughed at his own cleverness. He creates a mirror that sets people against one another by making people see the ugly side of things. If a splinter of glass from the mirror ever entered a person's eye, their heart would become a lump of solid ice. (quite a lesson there to be sure!)
When the "imps" decide to take the mirror up to the angels and try to make fun of them, it falls and shatteres into a hundred pieces. When "Kai" finds a grain of glass in his heart his entire attitude to life is changed. "Keep away from me!" he screeches at his friend Gerda.
Then one day he falls off his sled and sees the Snow Queen. She kisses him with her cold lips on his forehead and she takes him away through a cloud of darkness up into the sky. When Kai doesn't come home, Gerda goes looking for him. She sings to the river and drifts in a boat down a river to find Kai.
Gerda is a contrast to Kai and is loving and kind. Only when a spell is broken is evil defeated. After the story a page of where the event takes place helps make the story more interesting. Finally, we can explore the real and imaginary world of The Snow Queen.
Even as an adult, I am fascinated by fairy tales. They appeal to the child in us all and to something deep inside of us that knows, good will triumph over evil, in the end.