I've just read some Amazon reviewers' responses to T. S. Eliot's poetry as testimony to his possibly being the greatest poet ever. Such an evaluation practically proves Eliot's insistent point about the cultural impoverishment of the present.

Indeed, Browning's masterwork may very well be the ultimate poetic epic in the English language, rivaled certainly not by Spenser, Wordsworth, and Pound but only by Chaucer and Milton. The fact that even the "trial of the century"--the O. J. Simpson case--did not produce widespread renewed interest in its literary predecessor and equivalent would produce surprise and disappointment were I not so aware that, outside of Shakespeare, the academic canon has been foreshortened (and engendered) to a tradition that begins with Virginia Woolf and ends with Sylvia Plath.

In "Ring and the Book" Browning takes the sordid event of an enraged husband murdering his helpless bride--the daughter of a prostitute and rescue project of a priest--to "explain the ways of God to man." The reader of the poem becomes, in effect, a "privileged" juror in the trial of the murderer, positioned through Browning's protean and powerful rhetoric within the consciousness of each of the principals before finally being enabled to glimpse the "truth" that affords meaning to human mutability and suffering.

The poem no doubt will remain in dust closets, largely unread even by literature Ph.D's. But there's little chance of its ever becoming lost. Like the priest-hero of the poem, a few priests of the imagination will ever so often make the poem's discovery and be lured into the quest of pursuing its singular meanings.

As an English major at the University of Pittsburgh, I was never exposed to this series of dramatic monologues. It's a pity, because when I finally stumbled across it, Browning went from being just another 19th-century poet to my favorite English language poet of them all, at one fell swoop. The Ring and the Book is based on a real-life murder trial in 17th century Rome. The story is told from multiple perspectives, changing with every new section of the book; we hear from the "Man on the Street", the murderer, the victim on her death-bed, and even the Pope. The details of the story are far too convoluted to explain in summary and do anything resembling justice to the book, but it can be safely said that once you've begun, you're in for a whirlwind ride through a carnival of a trial that makes the O.J. Simpson affair look like a parking-ticket dispute by comparison. The truly stand-out feature of The Ring and the Book is not in the story itself, however, but in the telling. Browning handles the English language like a virtuoso emulating angel's choruses on a Stradivarius. If the book suffers any single flaw, it is the simple fact that at times, Browning writes these lines almost TOO well, making it difficult for the reader to pay attention to the actually progression of the story, as said reader becomes entraced by the beauty of the poetry. (In particular, I consider Caponsacchi's description of the flight from Arezzo beginning at line 1152 of Book VI to be one of the best written passages in literature of all time.) Dramatic blank verse hasn't seen genius of this level since Milton wrote of the angelic Fall. It's a pity this book isn't more widely recognized and discussed, for it deserves recognition as one of the best-constructed poetic stories of history, and the pinnacle of 19th century authorship.

I cannot imagine a better "companion" to Victorian literature than this nicely organized book. This is an invaluable guide to anyone who would like to situate their knowledge of Victorian prose and poetry within the era's social/historical zeitgeist. Malthus, dissenters, social reforms, sexuality, class consciousness -- all here. I have found myself returning to this book many times over the years. Kudos to Altick.

I highly recommned this introduction to the values and literature of Victorian Britain. Replete with lively anecdotes and thoughtful analyses, Altick's work makes for an entertaining read even as it educates those just beginning to tackle nineteenth century British history and literature.

Perhaps the least-favored phrase in the language is "very educational." It conveys the joyless atmosphere of the classroom with the doubtful benefits of a Sunday School text.

Thus, it an enormous pleasure to come across this book. It teaches about meaning --in both the literal and figurative senses --and is the kind of rigorous workout that one enjoys almost sensually: it is great fun!

If you ever wanted to develop a writing style, this is a wonderful place to begin.

This is a wonderful book. One could almost recommend it as a student's first history of 1840s England. Former Professor Altick loves his subject, knows it thoroughly, and shares his knowledge with us with infectious enthusiasm. He treats Punch neither as an antiquarian curiosity, nor inflates its importance beyond what it was -- a popular magazine in an era of many voices. The chapters are ordered thematically, but, unlike so many other scholars, Professor Altick knows how to tie his themes together, so the book works beautifully as a whole. Anyone interested in Victorian culture should read this book. Historians interested in producing good works, in any field, would learn from it.

Altick's The Scholar Adventurers is a book full of adventure and detective work. When I first read it in the early 80's (the first edition), not only could I not put it down, but I immediately bought two more copies as gifts. Very soon thereafter, the book went out of print. Today I thought of The Scholar Adventurers again as I wondered if I could part with my copy: a scholar friend recently fell off his roof, breaking multiple bones. His hospitalization means a meager Christmas for his family, so I've been deciding what books I could pass along to make the holiday brighter. I decided I could not give up this book, however, even under these circumstances, unless I had some assured way of replacing my copy. Happily I do. So, after you've finished calling me selfish, check the book out for yourself. It's a great read.