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than most others out there. It doesn't look at it from a present
time point of view and what do the Zapatistas mean, what do they
want, how do they work....
It looks simply at the history of the indigenous people of Chiapas
and their relationship with the mexican governement and tries to
make sense and explain why it is that the zapatista rebellion happened in Chiapas.
Very interesting and well written
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However, that's just quibbling -- and probably something with which only a Quaker would find fault. If you enjoy comparatively light mysteries (no profanity, sex, vulgarity, or fast-paced, high-level spy themes) with a Miss Marple type of elderly woman thrust into the role of sleuth) and would like a glimpse of the Quaker beliefs, you should greatly enjoy this book. I certainly did!
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1. The facts about Riley are not as interesting as the myths about his life.
2. He was not the author of great literature.
It is, of course, the duty of the serious biographer to present the truest picture possible of the life of the biography's subject. To this end, Elizabeth Van Allen has done a prodigious amount of research in documents relating to the life of Riley. The result is a scholarly but readable and interesting book. She rightly puts to rest the myths about the poet, intriguing though they may be. Furthermore, as a historian, Van Allen discusses the significance of Riley's poetry but does not attempt to defend it as outstanding literature.
Certainly, the biography of Riley will be most popular in Indiana where he is still revered by many, but it also will be of interest to anyone who is interested in American cultural history. In presenting the context for Riley's early years, the author paints a clear picture of life in the Midwest in the second half of the 19th century. As Riley rises to national fame, the reader learns of the role of newspapers as a purveyor of literature in the late 19th century, the national importance of regional literature in that century, and the important role of the national lecture circuit as mass entertainment of the period.
As an immensely popular entertainer on platforms throughout the nation and later through the marketing efforts of his publisher and of Riley himself, before movies, radio, television, or rock and roll, Riley was the 19th century precursor of the 20th century pop culture celebrity. This fact alone makes him a figure worth reading about and the author's authoritative and entertaining book worth buying.
Another evaluation of the book that is recommended is the review by Rich Gotshall in the Indianapolis Star issue of Sunday, November 7, 1999.
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In "The Little Bulbs," Miss Lawrence covers everything from miniature daffodils to sqill, from crocuses to irises. Did you know there were miniature irises? Most if not all of the bulbs she describes are still around, and many more varieties exist besides, but this book will get you started and keep you going awhile. I haven't found anything newer with better practical knowledge.
Even if you own an estate, this book can help you. Miss Lawrence has a nice section on container planting which the British have done for years, and we are just beginning to do really well. Remember, bulbs exist for every climate. You can grow the tropical kind in-doors in colder areas (amaryllids), and grow those that require cold outside if you have freezing weather in winter. I like this book so much, I am ordered the hardcover to replace my old paperback which I'm giving to my daughter who is just beginning to garden.
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The poets of "Eight" are Theodore Roethke, Elizabeth Bishop, Robert Lowell, John Berryman, Anne Sexton, Sylvia Plath, Allen Ginsburg, and James Merrill. Each poet's work is prefaced by a substantial individual introduction.
There are many masterpieces in this book. Curiously, I found the most compelling poems to be those that focus on nature: Roethke's "The Meadow Mouse," Bishop's "The Fish," Plath's "Mushrooms," and Merrill's "The Octopus." Poems like these combine skillfully used language with keen insight, and reveal these poets to be true heirs of Walt Whitman and Emily Dickinson (two of the featured artists in "Six American Poets").
Overall, I felt that "Eight" was not as strong as its sister volume, "Six." Although there are many poetic masterpieces in "Eight," there is also much material which, in my opinion, hasn't aged well. The so-called "confessional poetry" of some of these writers strikes me as overwrought. Some of the longer poems failed to resonate with me. I was particularly disappointed by Berryman's "Homage to Mistress Bradstreet," especially since I am an admirer of Anne Bradtreet's own work. Admittedly, this criticism may merely reflect my own personal tastes, but I submit it for the reader's consideration.
The fact that so many of these poets either wrote about each other, or pop up in the editor's introductions to each others' work, sometimes gives the book as a whole a creepy, incestuous feel. And the fact that so many of these poets committed suicide, had long-term mental health problems, and/or suffered from addictions further gives the book as a whole a rather morbid feel. On second thought, maybe this group of eight is a bit problematic!
Still, editor Conarroe has assembled an impressive anthology that I would recommend for students and teachers, as well as to a general readership. Although a mixed bag, "Eight American Poets" contains some truly enduring work by an octet whose legacy is secure.
Like Conarroe's "Six American Poets", the anthology introduces us to each poet with a short biography that is presented before the poet's work. We learn about their lives and come to understand some of the primary forces that have shaped their poetry. I have found that this greatly enriches the experience of reading poetry because I better see the struggles that lead to each individual creation. After each collection, Conarroe offers a list of books and anthologies where each poet has been published so that we, should we wish, can come to know the work of a given poet much better.
This anthology is a wonderful starting place for someone who, like me, desires an introduction to some of the greatest American poetry ever produced. Personally, I feel, after reading this anthology that I have come to truly appreciate the work of Elizabeth Bishop and Theodore Roethke, in particular. I had never known their work well, but suddenly each jumped off the page at me, Bishop for her wonderfully vivid descriptions and Roethke for his intensely moving subjects. Plath and Sexton also really spoke to me, their work so reflecting their lives. Overall, this anthology is superbly worthwhile reading!
Smith uses the popular concept of "garden rooms" to illustrate twelve principles - Enclosure, Shape and Form, Framing, Entry, Focal Point, Structures, Color, Texture, Abundance, Whimsy, Mystery and Time. Each of these are illustrated with lush photos of Smith's own garden as well as his clients gardens.
The last section of the book discusses techniques and ideas on how to plan and construct your garden. Lists of plants are provided for specific situations.
Overall, a well designed, photographed and written book.