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What made me purchase this book was the fact that it contains many lesser known works. Everyone is familiar with his work in the national parks. Images of Half Dome and other expansive landscapes are pretty well known. But not all his work (nor all his BEST) was of these subjects. Such images as Boards and Thistles, Madrone Bark, Woman Winnowing Grain, and Leaves are some fine examples.
The text of this book is quite interesting and well written for the most part. There are some areas in which the text seems to jump around a bit, but all in all, it is an interesting read. Even if you do not have an interest in Adams' life (about which it is worth reading) you will enjoy the photography in this book. Also, it will expand many people's view of his body of work. It has definitely caused me to want to learn more about Adam's works and techniques.
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The writings collected in "From Adams to Stieglitz: Pioneers of Modern Photography" represent a wonderful cross-section of her work. Her knowledge of the history of photography is amazing as she writes about the motivation driving the development of the medium. Two of the pieces are remarkable:
"Controversy and the Creative Concepts," written in 1953, compares and contrasts the photographic style of the "Parisian School" as represented by Cartier-Bresson and the "Western School" represented by Group f/64, Alfred Eisenstaedt, and Helen Bourke-White. Worlds diametrically opposed, each equally valid. The article presents an important overview of 20th century photography.
"The Caption: The Mutual Relation of Words/Photographs," written in 1952 for the first issue of Aperture, looks at the different types of captions that can be attached to a photograph (if any: Stieglitz refused to put caption on his work) and how one should write them. This essay provides nice insight into the practice of photographic writing.
Anyone with an interest in 20th century photography will find this book an essential part of their library. Her writing style is unique and wonderful, an absolute joy to read.
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At the end of the day you just have to get out and run. Have a good one !
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I was ten in 1966, and I remember it well. I agree with Hal's opinion that 1966 was the signature year of the Sixties decade. Nearly everything that made the decade what it was was in place by the end of 1966.
Also, we now know that simply because short-sighted television executives canceled shows like "Star Trek" and "The Green Hornet," doesn't mean they weren't cool. They were, and Lifson is an effective advocate for them.
Hal has captured this important year in pop culture in words and pictures in a riot of colors. This is a book to store along with your high school yearbooks and other remembrances of the past.
Well recommended!
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