excellent art book, I found it in my dad's office and is excellent

This is one of the more unusual books on my shelves, in that physically it is designed to bear a resemblence on its exterior to some travel guides. The photograph above doesn't do it justice. The material is kivar-like, and his famous photograph of the entrance to the Moulin Rouge is tinted in red and yellow. Inside, the photographs are arranged thematically, according such topics as Salesman and Traders on the Streets of Paris, or Trades, Shops, and Window Displays, or interiors of Parisian homes, or, my favorite, Old Paris.

As the introduction of the book points out, Atget was the great photographic recorder of Old Paris. It is to Paris of the turn of the 19th to the 20th century what Weegee was to lower Manhattan. The pictures in this book are nothing short of remarkable, and to look at them for any length of time helps transport one, to the extent that that is possible, to a world that no longer exists. This is not beautiful, genteel Paris. It isn't the Paris of Proust. It is more the Paris of Baudelaire fifty years down the road, the Paris of Toulouse-Latrec.

This without any question the finest inexpensive edition of Atget's photographs currently available, and since Atget is the predominant photographer of the Paris of a hundred years ago, the best inexpensive book of photographs of Old Paris.

6 frameable posters each about 18" x 12" (with no folds!)--a bargain! One might quibble with the choice of images, but it would be hard to choose 6 images from Curtis' vast catalog that everyone would agree on.

This book contains the best black/white images from the original complete collection. The portraits of Indian and the past moment of their daily life were captured with their character and dignity.

It is a marvelous image collection (Edward spent 30 years to make this 20-volume encyclopedia) of history. It represents the love of the dying population, and records the broken dream of native Indian.

This is an incredible collection of pictures. Piles on piles of pictures. But... The pictures are small. I was hoping for a collection of large pictures(i.e. 8x10) but the majority of them are approximately 4x5. It's a wonderful book, but don't expect full sized images. Irregardless it's a great buy for the price. You'll have a hard time finding a collection of pictures as big as this(even if the pictures are small) :)

absolutely stunning recollection of his complete photos. the reproductions are somewhat small, but easily viewable. such a complete set is so awe inspiring, anyone who has an interest or a love for native ameircan history/american history must have this book. absolute beauty.

Eugene Atget (1857-1927) spent almost thirty years photographing details of often inconspicuous Parisian buildings, side streets, cul-de-sacs, and public sculptures. In Focus: Eugene Atget brings together more than 50 of the J. Paul Getty Museum's 295 photographs by Atget, with commentary on each image by associate curator of photographs at the Getty Museum, Gordon Baldwin. Atget's photograph and Baldwin's commentary are enhanced with a chronological overview of Atget's life and an edited transcript of a colloquium on his career. In Focus: Eugene Atget is a superbly presented and invaluable contribution to the history of photography.

Eugene Atget (1857-1927) is the undisputed photo-documentarian of 19th century Paris. With studious attention to detail, Atget seemingly photographed every intimate corner of his much-loved city. Leaving the well-known monuments and boulevards to others, Atget instead concentrated on the atmospheric fabric of everyday Paris, photographing shops and window displays, cobbled streets, doorways, stairways, vehicles, churches, amusement parks, street-peddlers and prostitutes.

Unraveling the mystery of Eugène Atget's life and work is easier said than done. Now considered to be one of history's most important photographers, Atget was relatively unknown during his lifetime. Posthumously famous for his photographs, Atget in fact made only a humble living selling his prints to architects, artists, and institutions.

Atget wrote in 1920, "I may say that I have in my possession all of Old Paris." His systematic method of photographing Paris street by street is spellbinding, and the result is a detailed catalogue of 19th century Paris. The result of Eugène Atget's life's work is gathered here in a heartbreakingly beautiful book for lovers of Paris, architecture, and photography.

I received this book as a gift because not only do I collect photography books but I also frequently go to Paris because I love the city. This book is full of full page photos of Paris in the past and has a dreamy quality of the day to day events and sites of Paris and the surrounding areas. It's a great collectible book for photography fans and Paris lovers.

If you're a student of Edward Tufte's work on small multiples, this is a great book. By comparing lots of fairly similar things within one visual field, one can learn a lot. That's a Tufte insight and this book shows that Blossfeldt was taking advantage of the idea 75 years ago. This book is also good for those who appreciate the beauty of contact sheets and the photo editing process. The book makes a great gift due to its unusual nature and extremely high printing quality.

This book give us a new look!

Fop Flop In the most elegant apparel Nothing but worm silks In the finest golden thread And superior king red velvet sashes

You'd think I would have known better? I couldn't blame them who wouldn't? cut air with scissors while sewing their needles into invisible cloth for the very low price of..... silk a loom golden thread a full bag of coins Oh those Villain Scoundrels! Now, I know not to buy such vestments with rather large investments Oh what a bratty gnatty I was For I thought I was cool but truly a fool Why emperor you look rather bare, that's quite rare! I was in such a pursuit For only a birthday suit I must admit now Me, My very own self yes indeed, your emperor himself have become a stupid and incompetent dandy All for the Imaginary Image! and now I live happily ever after, no more garb well, that is until the next apparel discovery (Now if you'll excuse me there's a clothier waiting at my door who says he's created the latest design in Pajama attire)

Generally, I do not care for audio books; many of the readers speak in a dull voice that rapidly drives me either away from the story or to sleep. However, there are a few exceptions; this is one.

Understand, that this is not the normal audio book; this edtion has a large cast of actors who collaborated to produce this item as a fund raiser for Starbright.

The result is an ensemble piece that is witty and charming. Part of the fun for me, was guessing who was reading before looking at the cast list included in the box.

Other folks feel that this isn't for children; I don't know as I don't have children, but I found that my "inner child" was highly entertained for 40 minutes with this tape.

If you are a fan of one or more of the actors in this edition or like puns (there are many here!), then you will probably like the Starbright edtion of the Emporer's New Clothes.

I had been given 2 of these books from a friend and I decided to see if there were anymore. My son loves this book. He's now working on reading the adult side. It's a great idea to have a page each, 1 for the adult and 1 for the child. We have several of these books now and I see my son sitting down and reading them on his own.

The author, Hans Christian Adam, is clearly an admirer of his subject, Edward S. Curtis. Curtis, who lived from 1868-1952, devoted his life to photographing the American Indian. In this book, Adam has included 172 pages of Curtis' most impressive photos along with 15 pages of text and a paragraph by Theodore Roosevelt on Curtis. Adam gives a clear picture of Curtis as a man as well as a photographer. In his photos, Curtis shows the life,customs,history,legends and religion of the Indians. To quote Adam: "Curtis wanted to make up for the injustices that members of his race had inflicted on the Indians". The high quality, large format, sepia photos are magical and leave a lasting impression on the viewer. The best part of the book is the photos. The only thing I do not like about the book is that the text is in English, German and French. This takes up space, but it does not detract from the photos and text. This book will make the reader want to see more photos by Curtis.