The content is, of course, excellent, and deserves 5 stars. The editing, however, is shoddy and annoying. It's a pity Fitch couldn't see a professional copy of his classic work before he died.

There are misspelled words: "ideed" vs. "indeed," p 13; "pressence" vs. "presence," p 55; "centure" vs. "century," p247; "Sienna" vs. "Siena," p 329, and others). Wrong dates are given: "...completely reconstructed to an assumed date of 1976" vs. 1776, p 275. Different information is given regarding the same process: ("flourescent dyes had to be added," p 338 vs. "had to be stamped with a metal die," p 342). LeMoyne is referred to as "LeMoyne" and as "Lemoyne," pp 17 & 18; Anne Cunningham is referred to as both "Anne" and "Ann," pp ix, x, 89, 90. Comma and semicolon use is weak, the use of italics with foreign words is inconsistent.

A very fine book and is used in my graduate "Philosophy of Preservation" course at the Savannah College of Art and Design in Savannah, Georgia. We are the largest undergraduate and graduate preservation program in the country and this book is of the quality that we demand.

I enjoyed the pictures of these houses, and thought the book was especially well written. It's impossible to separate the evolution of these houses from the changes in the city itself, so some history is inevitable; there is also a great amount of detail involving the lives of the owners and developers. (I suspect this is a result of the book's being partly funded by a grant. Nothing got thrown away, to give the sponsor their money's worth.) If you are not overwhelmed by all this, you will uncover some interesting bits: the ads for Formstone, the fact that basements were hand-dug by a crew of nine in two days, the tales of the "night soil" removers. Really concentrates on the local history, though, so it may not of interest to others.

The rowhouse is far more common in Baltimore than other US cities, and these authors have documented its history and development up to the present day. Every nuance of design change is thoroughly discussed, and the amount of detail allows a street-by-street discussion at times. We're told about the various developers who, parcel by parcel, converted old elite estates into street grids covered with rowhouses of varying quality. The book ends as an advertisement for new urbanism, in which dilapidated old rowhouses are renovated and run-down neighborhoods undergo renewal.

The quality of writing is particularly high. There are approximately 140 b&w photos, which for the most part are grouped together so they can be printed on high-gloss paper. This is an awkward arrangement that requires the reader to flip back and forth to the glossy photo pages. There are approximately ten cross-sections and floor plans. There are very few maps, and a detailed knowledge of Baltimore geography is assumed. Because of the highly specialized nature of this book, it is unlikely to appeal to anyone outside Baltimore, but it would probably be a delight to architectural enthusiasts within the city.

...and the time to read 'The Baltimore Rowhouse' is now! I'm telling you'se- this book has it all. ; )

You not only get the expected descriptions of the architectural styles of rowhouses, and a historical review of the development of this style of housing, but the author weaves in the chronological social climb of an immigrant family throughout the book. Following the family's real estate history gives the book a story-like, biographical feel; unusual for non-fiction of this nature. It is in a sense, a well documented account of one way the "American Dream" has been realized.

From a social/cultural perspective, the 'Baltimore Rowhouse' is a social commentary on Baltimorean (and American) housing development past, present and future from visionary authors who love the City of Baltimore.

I received the book as a Christmas gift and read it in about 3 days. I couldn't put it down and was a little saddened that it had to end. I say this rarely- IT IS A MUST READ.