I love Edward Lear's story and James Marshall's illustrations are magical. I don't like the version with Jan Brett's illustrations. I've never liked Jan Brett's illustrations. I've spent hundreds of hours looking at children's books and I always pass over Jan Brett's books. Her illustrations just don't appeal to me. Her illustrations are distinctive and I can always recognize her work but I don't like them. There is just something missing--they don't have any life to them or something. I can't explain it. I have always loved James Marshall. His genius transcends understanding. His illustrations complement Ed Lear's beautiful tale perfectly.

A very good illustrated version of the classic poem- the pictures are beautiful with a distinctly exotic flavour, great for all ages!

This book is just so cool. Longing for a trip to the tropics? Read this version of the book to your little one and you can at least feel like you are there. The illustrations are really sweet. They have a lot of details so that kids kind find new things with each reading. My two-year old loves this book. It is a great twist on an old tale

I read this book and every fishing trip I have ever been on came rushing back. As I read I could feel the weight of the fly vest on my shoulders and smell the campfire. No one other than a down home salmon fisherman could have written this book. While he fished the Mirimichi I fished the Restigouche and once had the privilidge of meeting his Uncle, Richard Adams, on the Matepedia.
I know the beauty of the land and the feeling of a line tighten under a heavy fish, Everything is so real, from the sound of the water and the singing of a reel being stripped of its line down to the irritating buzzing of the bugs. He speaks of the friendships on the river so accurately one knows it is not fiction.
A wonderful read that I tore through and will sit down again to read it again to savour anything I may have missed.
My only regret is there were only 5 stars to give it.

My neighbor lent this book to me when I was having trouble getting my 2 year old to go to bed and go to sleep with it being light out at bedtime during the summer. She loved the book and would ask for me to read it again every night. It is one of her favorite books. The action words really invite her to get involved in the story. Words like "vrrruuum-chugga-chug", roaring tigers, parading soldiers,resting not racing trains, musicians playing a lullaby, a sighing drowsy moon, and a yawning baby who doesn't want to stay up all night after his adventures. This could be a classic book.

This is a beautifully illustrated book about a baby who does want to go to bed and so with a "vrruum-chugga-chug" zooms off in his little car awy from "the Mother" - he meets a sleepy tiger, dreaming soldiers, a resting train, and drowsy musicians until his little car itself falls asleep, not even the Moon will play - then he's rescued by the Mother and goes to bed - my little ones love it (and are usually asleep before the end!!)

I am a beginning oil painter and this book is great. It focuses on different aspects in great detail without confusing you.

Why is this out of print!? Every child should have a chance to hear these modern but timeless stories and enjoy the festive illustrations. Most of the stories, each written by "top children`s writers," (Angela Bull, Adele Geras, Chris Powling, Mary Rayner, Dyan Sheldon, Martin Waddell) are entertaining and thought-provoking. They feature people (and animals) of color, as well as fantasy. I rather enjoy the Nativity told from a sheep`s point of view. And the one about the king who has everything tells a most appropriate message, especially at this time of year. My sons` favorite is about a dragon who learns about Christmas from a seven-year-old girl and gives up his people-eating ways. We even read this when it is not Christmastime.

I saw this exhibit at Yale University, and it blew my socks off! The work depicted in the catalogue is well documented, and allows you to see the progression Hesse's work underwent during her short life. This is a book that I have treasured for a long time, and that I am sure I will continue to treasure.

This is the perfect book for a young child on the arrival of a sibling. When mom and dad head off to the hospital to have the baby, they give the older sister a toy monster. Little do they guess the trouble Little Monster will cause! Wry illustrations designed as much for parents as for children, and a charming story about how even little monsters can learn to live with tiny babies.

This is the story of a family of post-WWII German immigrants in Canada, and their struggle to come to terms with life as Canadians, in spite of their difficult, war torn past. I thought this book was beautifully written and wonderfully sensitively wrought. The writer's very unique writing style sustains a tremendous level of poignancy and sensitivity throughout the story, but the author manages to achieve this without ever compromising the story at any point. It remains immensely readable and compelling to the end. In particular, the beautiful relationship drawn between the protagonist, Peter, and his sister, Ruby, is so beautifully drawn that I think it could quite easily go down in the annals of literature alongside such famous sibling relationships as the one in George Eliot's The Mill on the Floss. The book is a series of interconnected stories, beautifully held together with bridges of pure literature. The stories follow Peter, a second generation German, as he tries to make sense of his life in small town Canada. Inevitably, though, his history as a German, and all of the associated feelings of guilt enter into the fabric of his, and his families, lives and emotions and forces each of them to come to terms with the weight of history. The way in which this is achieved is so moving, so finely crafted, it brought tears to my eyes, and furthermore, it gives a very important and valuable perspective to another group of people who also suffered as a result of WWII. I highly recommend this book to anyone who is interested in history, who enjoyed reading Anne Michaels' Fugitive Pieces or to anyone who enjoys fine literature.

We received this book as a gift from the authoress' father-in-law. Our three-year-old just loves it. When we carved the Jack-o-Lantern the other day, we saved the scraps and made some pumpkin soup. The story explores feelings about change and how it can make everyone feel uncomfortable. The story resolves with everyone agreeing that things can change, but only so much at one time! Another favorite of Emma's is Billy Goats Gruff as told by Ted Dewan, husband of the authoress.

It doesn't get better than this: Simply amazing artwork for a beautifully told story about how hard it is to take turns and how love and friendship will prevail. And the perfect finish of this literary feast is a recipe for pumpkin soup, easy enough to prepare with your little ones. "Pumpkin Soup" is the best you ever tasted. Enjoy!

I highly recommend this book. The illustrations are outstanding. My three year old loves it. The story is engaging and sweet. It is one of our favorite bedtime books. It is a rare treat to find a book that has great illustrations and a great story to go along with them.

I bought this book unseen from Amazon (based on the other reader reviews) and I love it! Before buying, I looked at these 2 other books in a bookstore and was not satisfied with their contents: 1) Winslow Homer: Artist and Angler focuses only on Homer's passion for fly fishing; 2)The Watercolors of Winslow Homer by Miles Unger (published by Norton) has a nice variety, but too many of the watercolors are printed across the gutter of the book, thus ruining the effect. This book by Cooper is lovely - It is based on an exhibition of Homer's watercolors that took place in the mid-80s, and so is comprehensive. It has a wonderful variety of all of Homer's watercolors spanning his entire career, and is nicely written. The watercolors are beautifully reproduced (not in the gutter) on fine-quality paper and the book itself is nicely designed. It is just beautiful.

This book provides a great analysis of Winslow Homer's growth as an artist. The author uses each chapter to analyze a different period of Homer's life as he, basically, self-taught himself through observation and experimentation based on where he lived, whether it was in the Bahamas, England, or the Northeast Atlantic coast of the United States. The pictures within the book are very good quality. The author emphasizes analysis of Homer's work over actual biographical information. If you are looking for more of a biographical-type book of Homer read Lloyd Goodrich's book Winslow Homer. Enjoy!

Since seeing a show of Winslow Homer's works a few years ago, I have been in awe of this artist's talent and versatility. So it was natural for me to pick up this beautiful and informative book which focuses on his watercolor career. In addition, the author gives us Homer's earlier background as an oil painter and illustrator. She is certainly well-qualified to write about Homer---she holds the position of Curator of American Paintings and Sculpture at the Yale University Art Gallery.

The color plates in this book are gorgeous and the text gives good information about Homer, his life, times, and techniques. It was a delight for my eyes!

In 1873, at the age of 37, Homer began serious work with watercolor while in Gloucester, Massachusetts. These paintings were characterized by broad brushstrokes and extensive use of light and color.

The Gloucester watercolors began Homer's lifelong pattern: he would focus for a certain amount of time on a singular theme inspired by a particular location. Some of these themes included rural life, especially childhood, and seascapes/marine scenes. He lived for periods of time in Gloucester; Cullercoats, England; Prout's Neck, Maine; the Bahamas and Cuba;, the Adirondacks; Quebec; Bermuda; and Florida. His need for privacy led him to live in somewhat remote locations, and during these years he was constantly experimenting with new techniques. Prout's Neck was his home base for his last 30 years although he often spent time in other places during that period. It was in Cullercoats (1881-82) that he developed his mature watercolor technique and his love of sea themes which he painted for the rest of his life.

Homer's late works are very thought provoking, often showing heroic subjects or themes; they show nature's beauty and its power and humans' mortality.

Homer lived a very solitary life, never truly realizing how really famous he was. He died at the age of 75, his last five years spent even more withdrawn from society and battling many illnesses.

Sir Gawain and the Green Knight was an interesting book to read. The imagery of nature throughout the book played an important role in Gawain's quest. There was also more focus on Gawain's struggle between being a man and a romantic hero than in other tales. His inner conflict came out in little actions and words and Harrison really tries to let the reader see the emotional conflict while Gawain is searching for the Green Knight. The twisted ending also makes the book appealing because it is unlike most Arthurian literature which directly glorifies the knight. In comparison to other Arthuirian literature, Sir Gawain and the Green Knight praises Gawain in the end not only for his combative skills but also for his beliefs and strong dedication to honor and faith. He comes out a hero not only because he accepts a quest but also because of his beliefs after he fails in his faith.

Arthurian literature is laced with double meanings and allegories, especially in The Green Knight. It's a great representation of what medieval literature focued on and the basis of great knights. In comparison to Wace's Roman de Brut, Sir Gawain and the Green Knight is a much better read. :)

Over the years I've read versions of this poem by numerous people: Brian Stone (the best before this), Tolkien, Raffael, Silverstein, and the archaic and almost unreadable version by Marie Boroff, and more. This is by far and away the best I've come across so far. For one thing, it's astonishingly accurate. Second, it's in a highhly crafted and subtly alliterated modern English. It SOUNDS like someone telling a story not putting on a literary manner and trying to sound important. I despaired of ever being able to introduce my students in reading groups to a convincing translation of this marvelous tale, and here it is. I listened to this version on Public Radio years ago and was captivated. Now I have the book and will delight in sharing the story with my students with a confidence I never had in any of the other translations. Fine introduction too - by the author and by Helen Cooper. Very highly recommended.

Many would-be readers are put-off by the word "classic," inferring that anything tagged with that label is necessarily dry, inaccessible, and out-of-touch. Sadly, they're often right. But the immortal tale of Sir Gawain and the Green Knight is one book from Oxford World's Classics no fan of Arthurian literature can afford to miss. You want it, it's here: action and romance, mystery and suspense, a heroic quest and a seemingly diabolic villain, and some of the most beautiful word-play ever put to paper, all wonderfully rendered in a fine easy-to-grasp translation by Keith Harrison.

Readers expecting the same Gawain from Malory's Le Morte d'Arthur may be in for a bit of shock. The titular hero of Sir Gawain and the Green Knight is far more valiant than later writers chose to present him. Indeed, even the mighty Lancelot pales next to Gawain here. When the inscrutable Green Knight thunders into Camelot to challenge the King, none but Gawain dares step forward to accept the challenge on Arthur's behalf. It's clear that in the eys of this poem's author, Gawain--not Lancelot--was chivalry's greatest champion.

Though a story told in verse, Harrison's Sir Gawain and the Green Knight is actually easier reading than any edition of Malory I've seen, while the strong introduction and explanatory notes take care of most of the trouble spots. Acccessibility was clearly a major priority.

Like all the best stories, Sir Gawain and the Green Knight is never the same twice. I first encountered this timeless tale years ago in college, but reading Harrison's edition was a whole new experience. The poem is full of symbolism and raises many questions about the nature of chivalry, heroism, courtesy, sin, success, failure, and duty--someof which the poet leaves to the reader to answer for himself.

For those of you who haven't read this poem for a while, Harrison's translation is a great way to get reacquainted with an old friend. And to those who have never read it, fearful of yet another barren "classic," give it a shot. It's definitely worth it.